From AdAge (original article)

NEW YORK (AdAge.com) — For some marketers, a new year means a new agency. If that’s your company’s annual resolution, you should know that line of thinking will lead to a bad reputation in adland.

Agency new-business executives and industry search consultants report a growing blacklist of sorts, composed of marketers that tend to put ad duties into play every year or two. Thanks to rapid turnover in the chief marketing officer seat (a CMO’s tenure averages 28 months, according to the most recent figures from executive search firm Spencer Stuart) and pressure to perform amid the troubled economy, long-lasting agency-marketer relationships are becoming more rare.

“I have a huge disagreement with people changing their agencies like they change their underwear,” said Jane Bedford, partner at the Bedford Group, a consultancy based in Atlanta. “Our clients tell us it takes them about three to six months for them to get fully engaged with their agencies. It’s very difficult for an agency to get up and running, and totally please the client, within the first year.”

And that’s coming from an exec who actually benefits when accounts go into review.

Take Chipotle: In January 2004, the burrito chain tapped Mother, New York, to be its first advertising agency. Six years later, that account has cycled through four different shops: After Mother came TDA Advertising & Design, Boulder, Colo.; Devito/Verdi, New York; Butler Shine Stern & Partners, San Francisco; and, its latest, hired this month, Compass Point Media, a division of Campbell Mithun in Minneapolis.

Thinking twice
The regularity with which Chipotle changes its agencies is more than most. But it’s hardly the only marketer with a penchant for flitting from shop to shop. Retailer Ikea and luxury automaker BMW are known for frequently reviewing their creative and media accounts, and Mitsubishi Motors North America moves its ad business around a fair amount as well.

Too many reviews could also mean that, over time, the very best shops will think twice before going after those accounts. “Agencies do a risk assessment when deciding whether to pitch an account, and there’s definitely a toxicity factor they look at. If [a client] does a lot of reviews, the client gets blacklisted,” Ms. Bedford said.

Even at a time when agencies are hungry for more revenue, such flip-flopping has consequences: Two different new-business executives said two accounts they wouldn’t touch with a 10-foot pole are 1-800-Flowers and Quiznos, as the businesses seem to be too volatile, regardless of their billings. The marketers did not respond to requests for comment.

Another consequence is cost: Constantly opening reviews can be incredibly costly and disruptive to both the marketer — for whom travel and other fees associated with agency reviews racks up — and the agencies, which shell out thousands of dollars in the hopes of crafting the perfect pitch that could win the business. If they do land it, there’s often an added cost of having to quickly ramp up freelance and full-time staff to work on the new account.

Michael Houston, chief marketing officer at Grey, New York, said the window for agencies to prove themselves has lowered dramatically.

“Results in our business are no longer evaluated on a semi-annual or quarterly basis, but on a monthly, weekly and sometimes daily basis,” Mr. Houston said. “Couple that with the level of dollars attached to the advertising line item on a client’s balance sheet, and we find clients forced to justify their marketing ROI in a way never seen before. In that process, agencies sometimes become the scapegoat, with the easy solution being to call an agency review.”

Consistency
What’s more, “serial reviewers” risk damaging their brand with inconsistent marketing messages.

“Clients shouldn’t be constantly jumping ship,” said Lisa Colantuono, managing partner at AAR Partners. As communication between consumer and client evolves, “they need to work together with their agencies. If that foundation is constantly changing, the marketer is hurting themselves in the long run in terms of building brand loyalty with the consumer.”

The Association of National Advertisers, the marketer’s trade group, doesn’t exactly see it this way. The ANA’s position is that conducting formal agency evaluations on a regular basis offers the best chance for fixing problems before frustration sets in. It believes that the companies that have two-way assessments at regular intervals have the most-productive relationships. “Having a formal agency evaluation process is always imperative but even more so at a time of heightened focus on marketing accountability,” Bob Liodice, president-CEO of the ANA, has said.

Said Grey’s Mr. Houston: “Desperation may be something new to many industries in the recession, but it’s something the agency business has known, embraced and perpetuated for decades. Agencies only have themselves to blame by playing right into the hands of these serial agency-review ‘players’ [and] making it too easy for the client to bully us.”

Endeavour Marketing and Media – A Murfreesboro, TN Advertising Agency

From Ann Handley (of MarketingProfs.com) for American Express Open Forum:

Dec 29, 2009 -

What do bacon, Bogota, yumberries and Foursquare have in common? They are all on the list of 100 Things to Watch in 2010 by the marketing communications company JWT.

Certain trends on the list suggest clear implications for businesses. JWT’s Ann Mack says that many items on it reflect broader shifts, like a growing action around health and wellness and environmental issues, to crazy-fast developments in the tech space.

There are also a number of trends tied to the so-called Great Recession (“trip bundling,” for example) and those that speak to various demographic, political and economic power shifts (“East Africa Wired,” and “TV for Tween Boys” among them). Interestingly for business, Mack says, the list “points to the way industries are redefining or reinventing themselves to survive or to fully leverage these power shifts.”

What trends might affect your small business in 2010? Here a subset you might find worth watching (as well as a few I found just plain interesting). The full list is in alphabetical order, below.

1. 3D at Home
3D is the new HD. Having successfully invaded the big screen, it’s on its way to the small screen: James Cameron, director of the new 3D film Avatar, will promote Panasonic’s 3D sets, out next year, which will compete with versions from Sony and Samsung.

See Rest of List

From ReadWriteWeb

Location-based social network Brightkite announced this morning that it has added what it calls the first mobile Augmented Reality advertising for U.S. markets to its AR layer in the Layar augmented reality browser. Augmented Reality (AR) is a class of technologies that place data from the web on top of a camera view of the physical world. Layar is a browser for a wide variety of AR data layers, from real-estate listings to government data to messages posted to networks like Brightkite. It is available for Android phones and was available on the iPhone until it was withdrawn from the marketplace last week due to excessive crashes.

The Brightkite ads appear to be just for electronics retailer BestBuy so far, and are displayed as unique markers in your field of view when pointed towards one of the stores.

Big round circles have been added to Brightkite camera-view annotations, designating the location of nearby BestBuy stores. The circles join the clearly different annotations for text messages and photos posted by nearby users. The ads are relatively unobtrusive for now.

These ads appear in all search results pages, whether they are relevant or not. For example, no one has posted on Brightkite about “pizza” within miles of me for the last three days, but a search for pizza displays a number of search results on my phone’s radar. It turns out those are the BestBuys in my area. The same results appear in searches for “love” and “flatulence” – it’s all BestBuy. If advertising proliferates on platforms like this then it’s going to have to become contextual.

These are the early days in mobile Augmented Reality advertising, but the field is expected to be big. AR has been become increasingly common in recent months as a gimmick in print ads that can be held up to a webcam to display a 3D image, but we’re unaware of previous experiments like what Brightkite is doing on Layar.

Is the advertising industry excited about mobile AR advertising? Blake Robinson, director of research and measurement at social media marketing firm Attention, says he is. “If the question is whether or not money will be pumped into mobile AR advertising,” he says,”I’d say it’s not a question of if, but when – and I’d say soon.

“For the first time in a long time local businesses could be given opportunities by advertisers to reach not just potential patrons but people who are literally at their doorsteps. There is a lot of potential for good here, a lot of potential for irritation too, but I’m more excited than daunted.”

Will consumers find the ads more useful than invasive? That’s an age-old question in the relationship between advertisers and consumers.